Real-Time Digital Make Up Alters Real Faces In… Real-Time

Aug 18, 2014

Udi Tirosh

Udi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

Real-Time Digital Make Up Alters Real Faces In… Real-Time

Aug 18, 2014

Udi Tirosh

Udi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

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We have talked quite a bit about projections and their applications in this blog, but I don’t think we have ever mentioned one of its most artistic uses: mapping. Mapping means that you build the projection based on a scan of an object so it seems as if the projection is part of real life (as opposed to the examples above which only exist in a photo).

Nobumichi Asai and the team at Omote took this concept to a whole new level by doing real-time face tracking & projection mapping on a live model. This actually enables Asai to create ever-changing digital makeup in a split of a second.

There is not much information on this online, but I assume the technology may be limited to where you can easily project onto a model’s face, so it probably would not work with moving people yet, but I would not be surprised if we see that coming up as projectors get smaller and more portable.

[omote / real-time face tracking & projection mapping | h/t Stefan]

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Udi Tirosh

Udi Tirosh

Udi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

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